
Soulja Boy! He's popular. Well, he sells singles. Not so much albums. But a lot of singles! So many singles. And YouTube hits. He attracts the YouTube hits. All related to a dance. A dance you may have heard, seen, or tried to do yourself! You'd think at this point there's not a single thing left to be said about Soulja Boy and the mini-trend of choreographed toe-tapping that he's sparked among aspiring popular musicians, one that's profitable for labels for the moment but not a particularly safe long term bet for reversing dipping sales. And you'd be right! Yet that fact has not stopped the
Wall Street Journal from
devoting many hundreds of words to recapping the tale of Soulja Boy. He's divisive! He's reopened the generation gap! He's given MC Hammer a reason to go on! And yet despite its rehashery, the
WSJ's story does raise one important, semi-new, mostly implied question: Would rock bands be improved by their own dance routines? Is there room in indie for cranking that James Murphy?
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